Work/Portfolio 2016
Here we can see a video report of the installation.
Aquí se puede observar el reportaje de la video-instalación.
The hidden part of human condition (2016)
La Bellezza della distruzione (2016)
Scan Photography
Methacrylic
Wow-Man (2016)
Photography
77 x 53 cm
Deux ex machina (2016)
Scan and print on aluminum
60x60 cm
Webcam failure (2016)
Screen capture and print on methacrylate
15x5 cm each one
What I am (2016)
Scan and print on foamboard
Campbell's tomato soup version (2016)
Scan and print
29,7x21 cm
Infowar (2016)
Scan and print
2x29,7 cm
29,7x21 cm
21x29,7 cm
100x75 cm
Sabiendo de mi nada,
Nada sabe más de mi que yo misma.
Y a la conversación ensimismada
me doy la vuelta y miro hacia otro lado.
Nada dijo que allí me quedara,
envuelta en la desnudez del tiempo
entre tanto trazo negro.
En aquel momento dejé de existir
Derretí mi propia materia en el espacio
Mi estructura ósea polvorienta
arraigada a la vida
a la Muerte se entregó abriendo sus piernas
siendo Nadie dentro de Nada la esclava en la plegaria a un Dios
inexistente.
Knowing nothing about me ,
Nothing knows more about me than myself.
And the conversation self-absorbed
I turn and look away .
Nothing told me to stay there,
wrapped in nakedness time
among black stroke.
At that moment I ceased to exist
I melted my own stuff in space
My dusty bone structure
rooted to life
so that Death opened her legs being
Nothing inside Nobody the slave in prayer to a nonexistent God.
Nothing, Nobody, Time and Death (2016)
Intaglio on paper series
Harry Haller's psychoanalysis print (2016)
Based on Steppenwolf story written by Herman Hesse
3D print
20 cm high
Praying Mother Lear of S.Dalí (2016)
Photography
Variable size
¿Tú que crees amor? Inma García Avilés' book (2016)
Front and back cover